鲁迅的《少年闰土》是什么文体? 学习文学tagname":null}] ,content_cid: ["105","108","105113","108105"] }, bestAnswerCount: '1', isMyQuestion: 0, answerKey: 0, adsAll:{ youx:'', adsEids: null }, adsEids: { asp: [295] }, nettype:'0', word: '电脑' || '电脑', showExcellentPartner: '0', evaSampling_lowVal: '-1', pageType: 'index', sourceIsOut: 0, replyNum: 12, argueNum: 0 }); F.context('user')['isRealName'] = ''; F.context('user')['role'] = 'browser'; F.context('feedbackInfo', { feedback: '1', feedback_rid: 0 }); F.context('foldHeight', '0'); // 登录用户是否为文库vip F.context('wenkuVip', '0'); //用户是否付费过 F.context('isDocPaid', '0'); F.context('newbest', '[{\x22rid\x22:2381739948,\x22content\x22:\x22\ \ \一\、\小\说\。
\ \ \《\少\年\闰\土\》\是\从\《\故\乡\》\中\截\取\的\一\段\,\《\故\乡\》\选\自\《\呐\喊\》\,\《\呐\喊\》\是\鲁\迅\的\一\部\小\说\集\,\当\然\《\故\乡\》\的\体\裁\就\是\小\说\了\,\这\是\鲁\迅\开\创\的\一\种\新\的\小\说\体\裁\,\称\之\为\乡\土\小\说\,\有\一\些\散\文\的\倾\向\,\但\它\还\是\小\说\,\因\为\还\是\虚\构\的\。
\ \ \二\、\《\呐\喊\》\是\鲁\迅\的\第\一\部\小\说\集\,\而\作\为\新\文\化\运\动\的\旗\帜\的\《\狂\人\日\记\》\就\收\在\《\呐\喊\》\中\,\《\呐\喊\》\收\录\了\鲁\迅1918\—1922\年\的14\篇\短\篇\小\说\集\,\其\中\《\狂\人\日\记\》\、\《\孔\已\己\》\、\《\阿Q\正\传\》\等\文\章\都\为\鲁\迅\的\代\表\作\。\当\时\正\值"\五\四"\革\命\精\神\高\扬\时\期\,\作\者\创\作\小\说\意\在\描\写"\病\态\社\会\的\不\幸\的\人\们"\,\并\为\新\文\化\运\动"\呐\喊"\。\作\品\真\实\地\描\绘\了\从\辛\亥\革\命\到"\五\四"\时\期\的\社\会\生\活\,\揭\示\了\种\种\深\层\次\的\社\会\矛\盾\,\对\封\建\制\度\及\陈\腐\的\传\统\观\念\进\行\了\深\刻\的\剖\析\和\彻\底\的\否\定\,\表\现\出\对\民\族\生\存\的\浓\重\的\忧\患\意\识\和\对\社\会\变\革\的\强\烈\渴\望\。\作\品\明\显\地\保\留\着\作\者\于"\五\四"\高\潮\时\期\,\在\结\束\了\一\段\时\间\的\沉\默\之\后\,\奋\起\呼\喊\的\特\色\。\在\艺\术\上\,\由\于\吸\收\和\借\鉴\了\外\国\小\说\的\创\作\方\法\与\表\现\手\法\,\因\此\,\本\书\中\的\作\品\以\其"\表\现\的\深\切\和\格\式\的\特\别"\,\令\人\耳\目\一\新\。\这\是\《\呐\喊\》\中\的\所\有\作\品\和\写\作\时\间\:
\ \ \《\狂\人\日\记\》1918\年4\月
\ \ \《\孔\乙\己\》1919\年3\月
\ \ \《\药\》1919\年4\月
\ \ \《\明\天\》1920\年6\月
\ \ \《\一\件\小\事\》1920\年7\月
\ \ \《\头\发\的\故\事\》1920\年10\月
\ \ \《\风\波\》1920\年10\月
\ \ \《\故\乡\》1921\年1\月
\ \ \《\阿Q\正\传\》1921\年12\月
\ \ \《\端\午\节\》1922\年6\月
\ \ \《\白\光\》1922\年6\月
\ \ \《\兔\和\猫\》1922\年10\月
\ \ \《\鸭\的\喜\剧\》1922\年10\月
\ \ \《\社\戏\》1922\年10\月
\ \ \其\中\《\社\戏\》\《\故\乡\》\《\端\午\节\》\《\兔\和\猫\》\《\鸭\的\喜\剧\》\都\属\于\乡\土\小\说\,\有\散\文\化\倾\向\。
\ \ \三\、\作\者\简\介\:
\ \ \鲁\迅\(1881\年9\月25\日\-1936\年10\月19\日\)\,\原\名\周\樟\寿\,\后\改\名\周\树\人\,\字\豫\山\,\后\改\豫\才\,\“\鲁\迅\”\是\他1918\年\发\表\《\狂\人\日\记\》\时\所\用\的\笔\名\,\也\是\他\影\响\最\为\广\泛\的\笔\名\,\浙\江\绍\兴\人\。\著\名\文\学\家\、\思\想\家\、\教\育\家\,\五\四\新\文\化\运\动\的\重\要\参\与\者\,\中\国\现\代\文\学\的\奠\基\人\。\毛\泽\东\曾\评\价\:\“\鲁\迅\的\方\向\,\就\是\中\华\民\族\新\文\化\的\方\向\。\”
\ \ \鲁\迅\一\生\在\文\学\创\作\、\文\学\批\评\、\思\想\研\究\、\文\学\史\研\究\、\翻\译\、\美\术\理\论\引\进\、\基\础\科\学\介\绍\和\古\籍\校\勘\与\研\究\等\多\个\领\域\具\有\重\大\贡\献\。\他\对\于\五\四\运\动\以\后\的\中\国\社\会\思\想\文\化\发\展\具\有\重\大\影\响\,\蜚\声\世\界\文\坛\,\尤\其\在\韩\国\、\日\本\思\想\文\化\领\域\有\极\其\重\要\的\地\位\和\影\响\,\被\誉\为\“\二\十\世\纪\东\亚\文\化\地\图\上\占\最\大\领\土\的\作\家\”\。\x22,\x22contentRich\x22:\x22\x22,\x22contentText\x22:\x22\ \ \一\、\小\说\。\\r\\n\ \ \《\少\年\闰\土\》\是\从\《\故\乡\》\中\截\取\的\一\段\,\《\故\乡\》\选\自\《\呐\喊\》\,\《\呐\喊\》\是\鲁\迅\的\一\部\小\说\集\,\当\然\《\故\乡\》\的\体\裁\就\是\小\说\了\,\这\是\鲁\迅\开\创\的\一\种\新\的\小\说\体\裁\,\称\之\为\乡\土\小\说\,\有\一\些\散\文\的\倾\向\,\但\它\还\是\小\说\,\因\为\还\是\虚\构\的\。\\r\\n\\r\\n\ \ \二\、\《\呐\喊\》\是\鲁\迅\的\第\一\部\小\说\集\,\而\作\为\新\文\化\运\动\的\旗\帜\的\《\狂\人\日\记\》\就\收\在\《\呐\喊\》\中\,\《\呐\喊\》\收\录\了\鲁\迅1918\—1922\年\的14\篇\短\篇\小\说\集\,\其\中\《\狂\人\日\记\》\、\《\孔\已\己\》\、\《\阿Q\正\传\》\等\文\章\都\为\鲁\迅\的\代\表\作\。\当\时\正\值\\\x22\五\四\\\x22\革\命\精\神\高\扬\时\期\,\作\者\创\作\小\说\意\在\描\写\\\x22\病\态\社\会\的\不\幸\的\人\们\\\x22\,\并\为\新\文\化\运\动\\\x22\呐\喊\\\x22\。\作\品\真\实\地\描\绘\了\从\辛\亥\革\命\到\\\x22\五\四\\\x22\时\期\的\社\会\生\活\,\揭\示\了\种\种\深\层\次\的\社\会\矛\盾\,\对\封\建\制\度\及\陈\腐\的\传\统\观\念\进\行\了\深\刻\的\剖\析\和\彻\底\的\否\定\,\表\现\出\对\民\族\生\存\的\浓\重\的\忧\患\意\识\和\对\社\会\变\革\的\强\烈\渴\望\。\作\品\明\显\地\保\留\着\作\者\于\\\x22\五\四\\\x22\高\潮\时\期\,\在\结\束\了\一\段\时\间\的\沉\默\之\后\,\奋\起\呼\喊\的\特\色\。\在\艺\术\上\,\由\于\吸\收\和\借\鉴\了\外\国\小\说\的\创\作\方\法\与\表\现\手\法\,\因\此\,\本\书\中\的\作\品\以\其\\\x22\表\现\的\深\切\和\格\式\的\特\别\\\x22\,\令\人\耳\目\一\新\。\这\是\《\呐\喊\》\中\的\所\有\作\品\和\写\作\时\间\:\\r\\n\ \ \《\狂\人\日\记\》1918\年4\月\\r\\n\ \ \《\孔\乙\己\》1919\年3\月\\r\\n\ \ \《\药\》1919\年4\月\\r\\n\ \ \《\明\天\》1920\年6\月\\r\\n\ \ \《\一\件\小\事\》1920\年7\月\\r\\n\ \ \《\头\发\的\故\事\》1920\年10\月\\r\\n\ \ \《\风\波\》1920\年10\月\\r\\n\ \ \《\故\乡\》1921\年1\月\\r\\n\ \ \《\阿Q\正\传\》1921\年12\月\\r\\n\ \ \《\端\午\节\》1922\年6\月\\r\\n\ \ \《\白\光\》1922\年6\月\\r\\n\ \ \《\兔\和\猫\》1922\年10\月\\r\\n\ \ \《\鸭\的\喜\剧\》1922\年10\月\\r\\n\ \ \《\社\戏\》1922\年10\月\\r\\n\ \ \其\中\《\社\戏\》\《\故\乡\》\《\端\午\节\》\《\兔\和\猫\》\《\鸭\的\喜\剧\》\都\属\于\乡\土\小\说\,\有\散\文\化\倾\向\。\\r\\n\ \ \三\、\作\者\简\介\:\\r\\n\ \ \鲁\迅\(1881\年9\月25\日\-1936\年10\月19\日\)\,\原\名\周\樟\寿\,\后\改\名\周\树\人\,\字\豫\山\,\后\改\豫\才\,\“\鲁\迅\”\是\他1918\年\发\表\《\狂\人\日\记\》\时\所\用\的\笔\名\,\也\是\他\影\响\最\为\广\泛\的\笔\名\,\浙\江\绍\兴\人\。\著\名\文\学\家\、\思\想\家\、\教\育\家\,\五\四\新\文\化\运\动\的\重\要\参\与\者\,\中\国\现\代\文\学\的\奠\基\人\。\毛\泽\东\曾\评\价\:\“\鲁\迅\的\方\向\,\就\是\中\华\民\族\新\文\化\的\方\向\。\”\\r\\n\ \ 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'[{\x22rid\x22:47058346,\x22content\x22:\x22\《\少\年\闰\土\》\是\从\《\故\乡\》\中\截\取\的\一\段\,\《\故\乡\》\选\自\《\呐\喊\》\,\《\呐\喊\》\是\鲁\迅\的\一\部\小\说\集\,\当\然\《\故\乡\》\的\体\裁\就\是\小\说\了\,\这\是\鲁\迅\开\创\的\一\种\新\的\小\说\体\裁\,\称\之\为\乡\土\小\说\,\有\一\些\散\文\的\倾\向\,\但\它\还\是\小\说\,\因\为\还\是\虚\构\的\。\《\呐\喊\》\是\鲁\迅\的\第\一\部\小\说\集\,\而\作\为\新\文\化\运\动\的\旗\帜\的\《\狂\人\日\记\》\就\收\在\《\呐\喊\》\中\,\《\呐\喊\》\收\录\了\鲁\迅1918\—1922\年\的14\篇\短\篇\小\说\集\,\其\中\《\狂\人\日\记\》\、\《\孔\已\己\》\、\《\阿Q\正\传\》\等\文\章\都\为\鲁\迅\的\代\表\作\。\当\时\正\值"\五\四"\革\命\精\神\高\扬\时\期\,\作\者\创\作\小\说\意\在\描\写"\病\态\社\会\的\不\幸\的\人\们"\,\并\为\新\文\化\运\动"\呐\喊"\。\作\品\真\实\地\描\绘\了\从\辛\亥\革\命\到"\五\四"\时\期\的\社\会\生\活\,\揭\示\了\种\种\深\层\次\的\社\会\矛\盾\,\对\封\建\制\度\及\陈\腐\的\传\统\观\念\进\行\了\深\刻\的\剖\析\和\彻\底\的\否\定\,\表\现\出\对\民\族\生\存\的\浓\重\的\忧\患\意\识\和\对\社\会\变\革\的\强\烈\渴\望\。\作\品\明\显\地\保\留\着\作\者\于"\五\四"\高\潮\时\期\,\在\结\束\了\一\段\时\间\的\沉\默\之\后\,\奋\起\呼\喊\的\特\色\。\在\艺\术\上\,\由\于\吸\收\和\借\鉴\了\外\国\小\说\的\创\作\方\法\与\表\现\手\法\,\因\此\,\本\书\中\的\作\品\以\其"\表\现\的\深\切\和\格\式\的\特\别"\,\令\人\耳\目\一\新\。\这\是\《\呐\喊\》\中\的\所\有\作\品\和\写\作\时\间\:
\《\狂\人\日\记\》1918\年4\月
\《\孔\乙\己\》1919\年3\月
\《\药\》1919\年4\月
\《\明\天\》1920\年6\月
\《\一\件\小\事\》1920\年7\月
\《\头\发\的\故\事\》1920\年10\月
\《\风\波\》1920\年10\月
\《\故\乡\》1921\年1\月
\《\阿Q\正\传\》1921\年12\月
\《\端\午\节\》1922\年6\月
\《\白\光\》1922\年6\月
\《\兔\和\猫\》1922\年10\月
\《\鸭\的\喜\剧\》1922\年10\月
\《\社\戏\》1922\年10\月
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  《少年闰土》是从《故乡》中截取的一段,《故乡》选自《呐喊》,《呐喊》是鲁迅的一部小说集,当然《故乡》的体裁就是小说了,这是鲁迅开创的一种新的小说体裁,称之为乡土小说,有一些散文的倾向,但它还是小说,因为还是虚构的。
  二、《呐喊》是鲁迅的第一部小说集,而作为新文化运动的旗帜的《狂人日记》就收在《呐喊》中,《呐喊》收录了鲁迅1918—1922年的14篇短篇小说集,其中《狂人日记》、《孔已己》、《阿Q正传》等文章都为鲁迅的代表作。当时正值"五四"革命精神高扬时期,作者创作小说意在描写"病态社会的不幸的人们",并为新文化运动"呐喊"。作品真实地描绘了从辛亥革命到"五四"时期的社会生活,揭示了种种深层次的社会矛盾,对封建制度及陈腐的传统观念进行了深刻的剖析和彻底的否定,表现出对民族生存的浓重的忧患意识和对社会变革的强烈渴望。作品明显地保留着作者于"五四"高潮时期,在结束了一段时间的沉默之后,奋起呼喊的特色。在艺术上,由于吸收和借鉴了外国小说的创作方法与表现手法,因此,本书中的作品以其"表现的深切和格式的特别",令人耳目一新。这是《呐喊》中的所有作品和写作时间:
  《狂人日记》1918年4月
  《孔乙己》1919年3月
  《药》1919年4月
  《明天》1920年6月
  《一件小事》1920年7月
  《头发的故事》1920年10月
  《风波》1920年10月
  《故乡》1921年1月
  《阿Q正传》1921年12月
  《端午节》1922年6月
  《白光》1922年6月
  《兔和猫》1922年10月
  《鸭的喜剧》1922年10月
  《社戏》1922年10月
  其中《社戏》《故乡》《端午节》《兔和猫》《鸭的喜剧》都属于乡土小说,有散文化倾向。
  三、作者简介:
  鲁迅(1881年9月25日-1936年10月19日),原名周樟寿,后改名周树人,字豫山,后改豫才,“鲁迅”是他1918年发表《狂人日记》时所用的笔名,也是他影响最为广泛的笔名,浙江绍兴人。著名文学家、思想家、教育家,五四新文化运动的重要参与者,中国现代文学的奠基人。毛泽东曾评价:“鲁迅的方向,就是中华民族新文化的方向。”
  鲁迅一生在文学创作、文学批评、思想研究、文学史研究、翻译、美术理论引进、基础科学介绍和古籍校勘与研究等多个领域具有重大贡献。他对于五四运动以后的中国社会思想文化发展具有重大影响,蜚声世界文坛,尤其在韩国、日本思想文化领域有极其重要的地位和影响,被誉为“二十世纪东亚文化地图上占最大领土的作家”。","contentRich":"","contentText":"  一、小说。\r\n  《少年闰土》是从《故乡》中截取的一段,《故乡》选自《呐喊》,《呐喊》是鲁迅的一部小说集,当然《故乡》的体裁就是小说了,这是鲁迅开创的一种新的小说体裁,称之为乡土小说,有一些散文的倾向,但它还是小说,因为还是虚构的。\r\n\r\n  二、《呐喊》是鲁迅的第一部小说集,而作为新文化运动的旗帜的《狂人日记》就收在《呐喊》中,《呐喊》收录了鲁迅1918—1922年的14篇短篇小说集,其中《狂人日记》、《孔已己》、《阿Q正传》等文章都为鲁迅的代表作。当时正值\"五四\"革命精神高扬时期,作者创作小说意在描写\"病态社会的不幸的人们\",并为新文化运动\"呐喊\"。作品真实地描绘了从辛亥革命到\"五四\"时期的社会生活,揭示了种种深层次的社会矛盾,对封建制度及陈腐的传统观念进行了深刻的剖析和彻底的否定,表现出对民族生存的浓重的忧患意识和对社会变革的强烈渴望。作品明显地保留着作者于\"五四\"高潮时期,在结束了一段时间的沉默之后,奋起呼喊的特色。在艺术上,由于吸收和借鉴了外国小说的创作方法与表现手法,因此,本书中的作品以其\"表现的深切和格式的特别\",令人耳目一新。这是《呐喊》中的所有作品和写作时间:\r\n  《狂人日记》1918年4月\r\n  《孔乙己》1919年3月\r\n  《药》1919年4月\r\n  《明天》1920年6月\r\n  《一件小事》1920年7月\r\n  《头发的故事》1920年10月\r\n  《风波》1920年10月\r\n  《故乡》1921年1月\r\n  《阿Q正传》1921年12月\r\n  《端午节》1922年6月\r\n  《白光》1922年6月\r\n  《兔和猫》1922年10月\r\n  《鸭的喜剧》1922年10月\r\n  《社戏》1922年10月\r\n  其中《社戏》《故乡》《端午节》《兔和猫》《鸭的喜剧》都属于乡土小说,有散文化倾向。\r\n  三、作者简介:\r\n  鲁迅(1881年9月25日-1936年10月19日),原名周樟寿,后改名周树人,字豫山,后改豫才,“鲁迅”是他1918年发表《狂人日记》时所用的笔名,也是他影响最为广泛的笔名,浙江绍兴人。著名文学家、思想家、教育家,五四新文化运动的重要参与者,中国现代文学的奠基人。毛泽东曾评价:“鲁迅的方向,就是中华民族新文化的方向。”\r\n  鲁迅一生在文学创作、文学批评、思想研究、文学史研究、翻译、美术理论引进、基础科学介绍和古籍校勘与研究等多个领域具有重大贡献。他对于五四运动以后的中国社会思想文化发展具有重大影响,蜚声世界文坛,尤其在韩国、日本思想文化领域有极其重要的地位和影响,被誉为“二十世纪东亚文化地图上占最大领土的作家”。","goodValueNum":2,"badValueNum":6,"publishTime":"2015-12-09","c_timestamp":1449656487,"isBest":0,"isGood":0,"isRec":0,"isSupport":null,"evaluatedType":null,"user":{"uid":376361139,"name":"1018xlp","imId":"b3d031303138786c706e16","isAnonymous":0,"isUnLogin":0,"isCurrentUser":0,"isNoUserName":0,"iconType":6,"sex":1,"isAuth":0,"isExpert":0,"isExpertImport":0,"isUserAdmin":0,"isFamous":0,"isMaster":0,"isFromTorch":0,"isFilter":0,"isOpenApp":0,"encodeUid":"b3d04069236f25705e796e16","gradeIndex":15,"grAnswerNum":4468,"praiseNum":191264,"goodRate":85.741700249472,"adoptRate":87,"selfDefinedPhoto":0,"isAppAuth":0,"mavin":{"career":"网上写小说言情小说","authLevel":1,"field":108105,"originTitle":"网络写手","title":"知道合伙人文学行家","field1":31,"level":2,"showName":"黛妮","showImg":"http:\/\/e.hiphotos.baidu.com\/zhidao\/wh%3D450%2C600%3B\/sign=57e93e900423dd542126af6ce4399fe8\/a8014c086e061d95968175cc76f40ad163d9ca7b.jpg","avatar":"http:\/\/a.hiphotos.baidu.com\/zhidao\/wh%3D450%2C600\/sign=d5450010a951f3dec3e7b160a1dedc29\/6a600c338744ebf8521face5dff9d72a6159a7fa.jpg","isShowRealName":1,"realName":"许丽萍","answerNum":"1.5万","adoptNum":"4468","isDisplay":1,"isNew":1,"utype":0,"qualityNum":"4825","helpNum":"762万","praise":"19.2万","major":1,"from":null,"desc":"已在报刊杂志、网络发表小说、散文、诗等四百余万字……","fields":[{"id":31,"name":"文学升学入学

来源:weibo.sheng-huo.org   作者:红人   更新日期:2020-07-05

一、小说。
《少年闰土》是从《故乡》中截取的一段,《故乡》选自《呐喊》,《呐喊》是鲁迅的一部小说集,当然《故乡》的体裁就是小说了,这是鲁迅开创的一种新的小说体裁,称之为乡土小说,有一些散文的倾向,但它还是小说,因为还是虚构的。
二、《呐喊》是鲁迅的第一部小说集,而作为新文化运动的旗帜的《狂人日记》就收在《呐喊》中,《呐喊》收录了鲁迅1918—1922年的14篇短篇小说集,其中《狂人日记》、《孔已己》、《阿Q正传》等文章都为鲁迅的代表作。当时正值"五四"革命精神高扬时期,作者创作小说意在描写"病态社会的不幸的人们",并为新文化运动"呐喊"。作品真实地描绘了从辛亥革命到"五四"时期的社会生活,揭示了种种深层次的社会矛盾,对封建制度及陈腐的传统观念进行了深刻的剖析和彻底的否定,表现出对民族生存的浓重的忧患意识和对社会变革的强烈渴望。作品明显地保留着作者于"五四"高潮时期,在结束了一段时间的沉默之后,奋起呼喊的特色。在艺术上,由于吸收和借鉴了外国小说的创作方法与表现手法,因此,本书中的作品以其"表现的深切和格式的特别",令人耳目一新。这是《呐喊》中的所有作品和写作时间:
《狂人日记》1918年4月
《孔乙己》1919年3月
《药》1919年4月
《明天》1920年6月
《一件小事》1920年7月
《头发的故事》1920年10月
《风波》1920年10月
《故乡》1921年1月
《阿Q正传》1921年12月
《端午节》1922年6月
《白光》1922年6月
《兔和猫》1922年10月
《鸭的喜剧》1922年10月
《社戏》1922年10月
其中《社戏》《故乡》《端午节》《兔和猫》《鸭的喜剧》都属于乡土小说,有散文化倾向。
三、作者简介:
鲁迅(1881年9月25日-1936年10月19日),原名周樟寿,后改名周树人,字豫山,后改豫才,“鲁迅”是他1918年发表《狂人日记》时所用的笔名,也是他影响最为广泛的笔名,浙江绍兴人。著名文学家、思想家、教育家,五四新文化运动的重要参与者,中国现代文学的奠基人。毛泽东曾评价:“鲁迅的方向,就是中华民族新文化的方向。”
鲁迅一生在文学创作、文学批评、思想研究、文学史研究、翻译、美术理论引进、基础科学介绍和古籍校勘与研究等多个领域具有重大贡献。他对于五四运动以后的中国社会思想文化发展具有重大影响,蜚声世界文坛,尤其在韩国、日本思想文化领域有极其重要的地位和影响,被誉为“二十世纪东亚文化地图上占最大领土的作家”。